literon and ovatow exchanged elements for this ultra heavy dub techno release. permutation one is literons original take and is build on an outstanding punchy groove with a sort of oldschool-ish club vibe, and with multiple layers of dub effects sprinkled on top of that. this is peak time techno at its best. ovatow takes us way deeper with permutation two. taking the original elements and drown them in gated effect processors and reshaping it to a deep, smokey, bass heavy monster that carries his unique and delicate sound signature. check!

pedro delgardo said >bosnias very own legend dj mika is up here with 2 very very exciting tracks of full on grooving bass techno in true phat mika style. burnout and zion both hit the spot, shit loads of percussion and quick drop edit breaks. dj mika is one of the techno geezers to keep your eye on for sure!. both these tracks are currently being played out by me and are more than special top marks for patterns on this one. 5/5<

cool electro by mr youngman, fast and floating, dreamy and driving. or is it already drum and bass?

including the international dancechart top 10 clubhit by felguk - do you like bass 2009!

franco cangelli is back on mowar with deep and spacy techno grooves. >locked on< goes in a stripped down techno alley with basic square grooves layered with a drifting sawtooth bass sound that gradually shows its teeth and gets you down there... estroe turns this groover into a deep workout, soul music for emotional cyborgs, with strings creating a melancholic detroitish feel. >create your own space< is a techno soul track where stabbing chords and lullaby pads make sweet love to square bass melodies and off-beat rhythms. it s a deep groover in the strictest sense. glasgow s solab from seventh sign give the track a more uplifting feel retaining the original s deepness but adding an element of raw dancefloor friendliness. mowar stands for quality deep techno and this third release delivers you just that

dj roland clark hits us with another soulful stunner. his artistic range over the years has proven his dynamic ability to go from spoken word preacher to hard house vocalist to pure soulful singer as heard on this current release, goodbye love. upping the ante on the remix is sole channels own supreme nyc producer alix alvarez whose production on the aa sc vox mix is the exact fit for this song. his sc fly dub is slightly pumpier and deeper for those who like to keep the bass heavy and the head groovin.

the mighty shoes crew follow up their miles davis 12inch with this 4 track ep of bohannon re edits/remixes. deep and groovy and sure to please. me & my diva (a groover), summertime groove (with some serious slap bass), save their soles (deep head nodder) and come and dance (awesome!).

nice price deal !!! tph + wavescape - any questions? bass-driven technomonsters dwell in this 12 inch ...

persistencebit returns with the follow up ep of wang incs meditations for a better world series, which first part on persistencebit has been highly acclaimed and has been given incredible reviews, such as in de.bug magazine among many others. previously on sonig, bip-hop, and context, he now reappears with number two of the series and once you start listening you will know it all makes sense, given how close in spirit wang inc. s fresh fusion of experimental treatments and funk-house grooves is laid down. throughout the ep, wang speckles his fabulous metal machine music with rolling bass lines, high-stepping beats, and brilliant splashes of synthetic colour, whether it s the pounding stepper mind the gap or the pulsating future-funk of you are late a near-perfect fusion of experimental and dance musics, hyperactive dog splatters its house-inflected steam-roller with showers of whirr and click, and animates it with snares that hit so hard they could chop your head off. in the closer track this is the song to say goodbye he brings us electronic noise and beat madness to round things up and create a diverse sounding listening experience

having made his debut in 2006 on rip n burn recordings and also appearing on hadshots 10 year anniversary complation in 2007 under his alias audiolizer, israeli producer matan arkin has forged a style for himself that is both heavy in its orchestral audio mentality while keeping enough low end bounce and grime to be aimed squarely at maximal dancefloor effect. angels strikes a balance directly between sentimental yet bounding tech house and bass driven electro house, creating an end result that is both melodically enthralling and rhythmically grabbing. bordering on the edge of emotion, the simple melody carries the track till its end while an unwavering bass makes itself known without ever dominating the forefront. black is beautiful utilizes the sultry vocals of selecta beats recording artist elisete as the theme around which a slow, simple and naughty groove is built. with the lyrics deviously weaving their way around an ever-transforming musical backing, the song creates itself as a sweltering escapade that doesnt abandon its charm until the last second. mipt shows matan digging deep into his studio dexterity to mold a wildly distinctive piece that borders on the edge of melodic abstraction while still stealthily keeping its grip on a distinguishable degree of mesmerizing harmony. never losing its way through a complex maze of synths and squelches, the song serves as a vivid and vibrant highlight that reminds that plain simplicity isnt the only way to guarantee success on the dancefloor

hailing from the suburbs of paris, von ds soul soaked sound is an expression ofhis multi cultural roots. bon is a breezy cocktail of soothing pads, crunchy garage rhythms and the angelic tones of french soul sensation zhakee. on the flip so many faces takes proceedings a stage deeper exposing his junglist roots with galloping drums, ethereal strings and a contrasting fuzzy bass. bon is supported by joe nice, beezy and bunzero and so many faces is supported by headhunter.

renegade soundmachine byronic: rsm are gary asquith (renegade soundwave, rema rema) & renault schubert (film2). the text for byronic was penned by the author and bon viveur lord byron himself a couple of years ago. renegade soundmachines tongue in cheek piece of work mirrors their anarcho decadent character, which gary asquith already used to bring in with his legendary project renegade soundwave probably a robbery despite the byronic irony, theres yet a message in the attitude. film 2 big city heart: film2 are the french actress betty la gachette (voice, dictaphone, field recordings, camera, typewriter) and once again sir renault schubert (electronics, guitar, bass, edrums, camera, software) from berlin. with big city heart they cry out an emotional and momentary perspective of capitalism, urban and individual mutations with gasoline in the air and vaseline on my hair.

when we first started thinking about the compilation, we had in mind the idea to put together a great minimal techno selection with stuff from the early 90s, which really inspired us, like robert hood, dan bell, plastikman, pansonic and mike ink to name a few. whilst working on the project we had the feeling that there is so much more great and influential minimal music from way before the techno thing started. so we were very excited to combine the music from the electronic pioneers, with the tracks from the minimal techno godfathers in a very modern way. in minimal music there is so much (space) in between the sounds and the space that gives you a lot of opportunities for an own interpretation. the grandfather paradox is a scientific theory about time travelling and was first described by the science fiction writer rene barjavel in his book - le voyageur imprudent. we took suggestions out of that because we felt like we are travelling back in time and manipulating the old music with modern knowledge. the fact that we did all this with the deserved respect to the originals makes us quite sure that the results are bringing something new and interesting to the old tracks and transport the past into the here and now. - henrik schwarz, ?e & dixon

part 2 of the simple, maybe release reveals the dark side of the brothers schwarz. yeah ought to be taken literally. batten down the hatches and turn up the volume, here comes a true masterpiece. naturally, tiefschwarz have saved the banger until last. there are not many tracks out there, which make you get up and dance after two bars already. the basis of yeah is a perfectly orchestrated drum beat. a steady bass drum, rolling toms, a crisp snare, all together powered by a low-pitch synth sample in the background. a sound, that is as offensive and sentimental as possible at the same time. add a well-filtered choir sample on top and you get a deepness and amplitude that can only be mastered by the finest soundsystems on the planet. like looking through a burning glass, the break shows what tiefschwarz are really all about with this track: gradually, all sound elements are shut down, overlayed by white noise that comes with goosebumps guarantee. this spring, youll better be on the dancefloor, when the drums set in again! deininger on the b-side is an almost gloomy track, driven by a dark deep-house bass line. once again, tiefschwarz play with a wide range of elements: an off-beat synth wind section, dry tinker bells and sliced vocals, well-orchestrated by a fine mix. all together this creates the perfect atmosphere for a monday morning sun rise. exhausted, dried-out, longing for your bed and a glass of water, yet at the same time not wanting to go home. great music got soul, the perfect balance, that keeps the heart pumping and the body dancing. deininger is about this certain temper, the groove, that makes you carry on.

limited pressing for this already cult track from tekitek...

following a debut release from pig & dan comes an ep from one of the most exciting production duos around. fresh from their acclaimed e=mb2 album in 2008, belgian techno legend marco bailey and long-term studio partner tom hades have crafted two mighty slabs of techno power. raw energy and speaker-freaking bass is the order of the day with f16. . forged from a few simple but extremely well matched elements, this is high-grade incendiary techno at its best.

big with: carl cox, ali schwarz, josh wink, sebo k, brothers vibe, catz n dogz, laurent garnier, karotte, falko brocksieper, dave dk, martin landski, tricksi, dario zenker, shuri- kan, marco resmann, ed davenport, agnes, miss jools, kreon, cirillo, anthony collins, dyed soundorom, will saul, funk d void, james flavour, okain, federico molinari, andrew grant, .. the always in form freak n chic continue their early-2009 bombardment with a superb ep from newcomer djebali. dropping just in time for miami, the >lax ep< looks set to be another winner for the paris-based imprint as it oozes quality across all four of its, percussive house tracks. starting with the urgent, chicago vibes of >dont be forced<, the >lax ep< features tracks for every point in a set. while the aforementioned cut is peak-time, the sinister >california<is pure afterhours with its spooky synths and heavy funk bass drops.

here we go again with some crazy party music - directly from the acid-drenched mind of the most fidgety of them all, your favorite bulgarian! after some great releases on such labels as noodles recordings, potty mouth recordings and second session, the bulgarian is back - this time showcasing his minimal side for complot. first off we have the anti-bling anthem check to check millionaire - a surprisingly clever mix of catchy lyrics and an unstoppable groove, the right combination to get faces smiling and booties shaking. dotcoza is the second anthem on this ep, and there s no denying that it s metallic stabs and wild acidic bass line will make you move, while the whistles will tickle your ears for added pleasure. for those looking to hear the bulgarian s darker side, home tonight will not disappoint with it s choppy percussion and inebriated bass line - a perfect compliment for those mushrooms you ate earlier. finally, with its plethora of interesting sound bytes, something red will make you pop like bubble gum and lock like a solid-steel safe. there s no question that the bulgarian s incisive sounds, illegal bass lines and crispy beats will make all of us sweat.. like the last time you got chased by a pit bull..

nice price deal !!! rising music presents an awesome ep from italys alex fain. he made a lot of rmx for a lot of artists, and a lot of productions for a lot of labels. aurora borealis is a beautifully melodic piece of electronic music. with its dreamy hook and tight rhythm the track is set to be a club smash. real electro house! crazy dolphin is balls out electro, heavy bass, funky rhythms and mind bending squeaks and bleeps.

swoosh was without doubt a major underground hit in 2008 with top10 positions in all sales and dj charts. the best possible base for phunklarique & pierce to team up again this year with a massive followup named womba to continue their journey on yellow tail. plays by gorge. harada, plstik funk, ... again, it s kind of a split ep, with two totally different versions of the same idea - creating atmospheric grooves with each their unique style that has individually brought them support from all over the globe. phunklarique concentrates more on the minimal side of electronics with deep bass, a sick leadline and stabs that continuously build up in a very hypnotic way, while pierce gives it a slick, but modern housy groove with sirenlike horn sounds. we have been testing these out on the floor for quite a few weeks with amazing results, so check it out and see what it does for yourself

this exciting new signing lands with his first ever outing, and we snapped it up here at method. tuff bass heavy grooves with a simply large hook line that runs deadmau5 style throughout the track, filtering and weaving its way in yer brain. the dark remix comes courtesy of alex costa

the emphasis with this track is simple... a hard-hitting arrangement and solid production techniques. after the cinematic intro and the sledgehammer bass-lined drop hustler has been destroying dance floors all over. this tune has a pounding bass-line morphing its way throughout, twisting up filters and distortion, with the rhythm of the phrases changing almost at random

already supported by johnny d., someone else, laurent garnier, jennifer cardini, florian meindl, david keno.. erich lesovsky is the newest addition to stil vor talents exciting artist roster. here comes someone who is totally fascinated and absorbed by technology, someone who only performs as a live act in the clubs and - in the time of digital machinery - still works on constructing his own devices to make music with. after singles for wba and keno records, it is now the time for his first release on oliver koletzkis stil vor talent imprint and mr. lesovsky is very happy to be part of the family. so are we, of course! not only, but also because his first ep is a killer display of musical wizardry. it stars off with >bell a donna<, a minimal funk-laden piece of music that is mainly based on some crisp beats, many warm effects and sounds and a melody so simple, yet so encapsulating to capture the heart of every dancer in the club. this is oldskool minimal funk at its best! next up is >93 percent<, a title that might be misleading at first, because this track sounds more like 150 percent really. a great loop made of fidgety techno hi-hats and some wonderful warm analogue sounds - this could well be termed a new form of fidget techno. last up is >riot beatz<, an experimental display of minimal sound design, yet still very danceable. lots of crystal bashing beats, a pumping bass and many little effects - this will definitely be one for the dancefloor in the morning hours. not only does e. lesovsky seem a master of sound, his expertise seems to cover the perfect creation of warm, yet basic tech anthems and his influences seem to come from all sorts of musical directions, from hip-hop to funk to house back to techno. it is the easiness with which he delivers his music that makes his sound designs so special!

new egyptian lover songs to celebrate egyptian empire records 25th anniversary! these are done the old fashion way with the 808 drum machine and analog keyboards. including >keep it hot< and yes it is hot! bass booms like no other in this song. this re-mix is going to rock your socks off. limited coloured vinyl. enjoy the electro pharaoh and all the new 12inch singles coming in 2009!!!

next in fergies awesome series of remixes comes his classic break out track. here it gets reworked on the b side by the superb echomen. the remix itself is a twisted, swinging bomb with its knarling synths, white noise, catchy stab and driving drums. on the a side we see jus phil and christian hoff do the original justice with a very bass heavy driving feel and spacey synths and percussion. 2 great remixes.

twisted minimal techno mood for bauns 05. this is the time of maurizio vitiello, who wants to explore the partenopean roots with the bouncing vibes of tira e molla. maurizio is rapidly gaining a reputation for his particular style. raining has the ability to move around vibrant percussions, giving a tricky housy sensation. and finally the begin of a new direction for bauns. a remix of tira e molla by one of the hottest producers in the scene of minimal techno music: the big talent tim xavier. of course he needs no introduction. his interpretation of maurizios tira e molla shows tim way to capture fragments animating them with special journeys. tim uses airy percussions, loud bass and lots of special effects to drive the listener away. another fantastic release for bauns. check it out!

sweet 16 is a perfectly judged slice of disco punk, producer grahmzilla hooking up a beat which sounds like the clash hanging out at studio 54 while isis tells of the joys and dangers of being sixteen and ruling the dancefloor. its not clear whether the natural stage genius (time out) is encouraging under age sex, cautioning against it or just suggesting engaging in some healthy exhibitionism. whatever the message she makes it sound great. cruise low is as low slung and bass heavy as you d expect from the title, isis whispering about popping the trunk with a mixture of enticement and threat. bonus track whateveruneed is an epic instrumental electro symphony from grahmzillas hard drive. ny mover and shaker eli escobar rounds out the package with a mix of sweet 16 which harks all the way back to planet rock...

sniff is the first true blow anthem ever in techno! pique nique is a game changer, modulating from chirpy fairy wiggle-house down to a sub bass groove that achieves the requisite hands-in-the-air factor !

nice price deal !!! keshno and mr. ride morph the breakz on a-side to a fat breakbeat smasher and on the flip they add some tempo and do it the drum-and-bass-way.

phat 2 track drum & bass action

with his first release ever >space ok ep<, stephen hellm enters k-records with a serious statement.the lead track - space ok - combines classic synth parts with a rythmic drive, and bass in your face kick. creating an ambiant fit for the highlights of the evening. workflow is a peaktime stomper with an uplifting synth and stimulating percussion that will set many dancefloors on fire. without a doubt a must-play for all those hands-in-the-air-moments.where workflow left you on a laser-filled dance floor, brk-durch takes you deep below the surface of the earth. its a 10 minute trip with a dark and growling melody that gets inside your head, never letting you go. there should be a warning attached to this song, saying: >caution, only to be used in obscure clubs at times when getting freaky and decadent.<mastered by robert babicz aka rob acid !this release comes in a white black marbled vinyl, limited to 500 copies worldwide!.

a track is a track, is a track is a track. but not every track is just a track. trackletons stands for much more than just tracks. on his debut ep you wont get to hear the substandard generic ordinary music that can be found everywhere. he has it all. disco, house, minimal, techno, you name it, he brings it. welcoming our latest act >trackleton< with his first appearance in form of his >jump ep< adds a variety of deep styles to this 3-tracker like we have not heard it a long while. the a side is a detroit influenced dance-floor sweeper with melodies so deep and beats so sharp that will leave no escape from making heads turning and get your feet dancing. b1 plays it cool all around the bass-line, laying things down in a old-school sounding manner - minimal to the bone, but done so cleverly to ensure that the basics simply sit right and will get you moving. the b-2 track then surprises you with more than just a hint of disco that will be standing out from the norm and creates a nice diversity. one does not often hear music so warm, on point, deep and yet fully dance-floor oriented

nice price deal !!! running as part of their united colours of benefit series (fans of quality sweatshirts will recognise the pun) you re treated to bungles reworking of a stone cold social security classic, green cross code, which encompasses all the best elements of the original and turns them on their collective head to whip up a drum & bass storm.

asher jones & neil barber, aka rhythm code. they have been working together for over 10 years. there productions gain constant support from the likes of sasha, laurent garnier, pete tong, green velvet & the plump djs...with recent releases on rising music & size, and the launch of their own monthly radio shows on etn fm and proton, they now present , what is to be the first in many, releases on baroque.. two slicey dicey slabs of electronic goodness.. wiggly bass & infectious subtle melody.. enjoy!

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

ian pooley makes his debut appearance on simple to kick start what is shaping up to be a bumper year for the label. german ian pooley hails from mainz but recently found a new home in berlin. ian is well known as a remixer and for his own prolific output bridging the gap between techno and house, creating superb tracks such as the massive >celtic cross< & >chord memory< on the force inc. music works, as well as recording more housier and disco orientated workouts for labels such as john acquavivas definitive recordings, effective records and nrk sound division. ian has also remixed for daft punk, the cardigans, the beloved, green velvet, modjo, nick holder and many more. ian has recorded two albums for v2 records, his debut >meridian< was a classic late 90s pooley album, full of tech-house delights and including the massive >whats your number< as remixed by jazzanova and bob sinclair. followed by huge albums >souveniers< and >since then<, and most recently >in other words< featuring robert owens, tim fuller and perry colo. most recently hes been busy djing across the globe, producing new music for the likes of us and producing for artists such as get physicals dj t. nightscape - a deep, heads down house groove that locks you in with its lovingly crafted percussion and beautifully bouncy bassline, whilst the wistful, melancholic pads are food for the soul. ians experience in production shines throughout the ep, making the tracks as much of a delight on the head phones as they are on a function one soundsystem. difference (jupiter/eight mixes) - intricate percussive rhythms combine with a rubbery bassline and rich poly stabs to set the tone. strings build and release the tension and a delicate piano riff brings the soul. the evolution of the patterns sees a heady crescendo for the floor. for the >eight mix< ian reworks the stabs and bass-line and pushes out a more straight ahead groove

your know you are doing something right when greg wilson comes knocking at your door for some disco edit action. such is the life now for croation nu disco gem ilija rudmen. after a series of releases on labels rong, infant and deep freeze, bearfunk were quick to grab dance disorder and wasted no time in asking their studio neighbours faze action to step up. their synth bass, low slung and sleazy remix, with a dose of their trademark strings hits the spot. this sits snuggly with ilijas original which mixes in real bass and guitar with his analog heavy funk laden grooves.

kicking electro by monotones labelhead larry mccormick aka exzakt.

big with : loco dice, luciano, sis, reboot !!! the release is the last of the masomenos live mix project... and close the serie of 8 eps that were released for this... a sided les 3 petits cochons is a real dancefloor tune, heavy and funky, as in the tale, you can feel the wolf blowing and the little pigs running... on b side, loco is an old - school sound track, deep and moody, with some crazy vocal asking for some bass... b2 , turtle is back, is a dubby re-do of one of the first masomenos production...turtle trip... same mood, heavier groove....slowly but surely the melody gets in your head to mesmerise you...

fresh inspiring minimal techno / techhouse .the a side is for sergio parrado, who offer us, a tech-house track, direct to the dance floor. tanto mini me vuelve maxi is one of those atemporal tracks, with a powerful and groove bass, crispy synths, awesome efx and a melody that twists itself in a surprising way. a long duration track ready for the more demanding dancefloor. on the bside, we meet 2 tracks from the valencian guy oscar barila. the first one is anxiety, an authentic bomb that, with no doubt, we will listen to many of the big ones. the song has a phrenetic rythm, a wrecker groove and psychedelic and mutant synths, that convert the track in a mortal weapon for the peaktime. the second song of the b side is giro tutto, powerful and smart techno in constant evolution. its percusive rythm is adorned with an acid and bubbly synth that unleashes in 2 explosive breaks.

giggle riddim stands out in the bassline scene as one of the biggest tunes of the year. piddy py is a master of the signature northern style with his ghoulish bell tower leads and extra terrestrial bass. combined with giggles wind up kicks that bully dancefloors into submission and the terrifying baby cackles that give the riddim its name, piddys arsenal is unstoppable. utter havoc ensues with every drop. the title tyrack has already played by the likes of toddla t, sinden, herve, hudson mohawke, rustie, drop the lime, plus bassline heavyweights dj q, rossi b & luca and too many more to mention...

young up start and london based enfant terrible l vis 1990 engineers bass fuelled dance music designed to make your ears bleed! a pioneer of his own hyper bass sound, that sonically fuses aspects of dance music that have inspired him over the last 6 years ?garage, electro, b more, ghetto tech and drum & bass, his sound is unmistakable. the majority of the l vis 1990 ep was made on his laptop, on the 8am train commute from brighton to london, and finished off at the stereo mcss studio in brixton. further musical affiliates are sinden, herve, duke dumont, switch et al, as well as math head aka passions ny, philadelphias starkey, and early dubstep pioneer vex d (planet mu), the latter of whom spoke of l vis? change the game as a track that really struck a chord, totally made me think about new ways of doing shit...

2004 classic tracks by lowdown and stanny franssen!! includes voodooamt remix

2001 classic portuguese tech tracks!!

finally this gets a proper release, one of the biggest tracks of summer 2006!

claque musique present their fifth release, which is a technoid gem from hugo (already responsible for the brilliant third 12 inch on the label, entitled born to bop) called strobo revenge. another zany electronic bullet that is destined to cause mayhem on dancefloors worldwide! on the a side, jumping beats, vocal mirages and compressed synths create the groove on the original mix of the title track. a fizzing bassline and echoing whistles enter later on and they give the track a slice of claque musique zaniness. a2, prismatic visual, is a powerful floor filler, which is slightly less crazy then its musical partner. hugo uses dependable percussion, watery synth action and inviting vocals to create this musical treat. on the flip side, carola pisaturo brings us a moody version of strobo revenge that squeezes something else out of those whistles. she employs heads down percussion, vocal shards and smooth synths on her version. portable/bodycode heightens the intensity with a jackin rerub that sends the track in another direction completely. marching beats, acidic synths and hollow bass drops work wonders on abrahams revision

3 quality mixes by mastermind kenny dope gonzales!!

the next installment from the new beyond imprint is with us, featuring two newcomers from the thriving us underground, kapuchon & benny rodriques. the pair bring a magical detroit infused collection of warm, urgent and modern house music into our peripheral vision where its simply hard to ignore … like a well loved vintage drum machine tweaked to perfection, or a dusty old synth rejuvinated, >and again< draws inspiration from the rich synthesised landscapes of classic detroit techno, however adds a totally fresh and modern aesthetic, through its use of precise drum fills and beatifully crafted harmonies. on a more thoughful, soulful tip, >unexpected< unravells itself with smooth chord atmospheres, driving, solid-state percussion and teasing delay fx. the story might be a familar one to those who have their ears firmly pressed to the dancefloor, but for good reason, as these two fine storytellers have crafted a golden moment for the late, late hours. the acidic ride of >potato tomato<, with its pushing sub bass and glistening crescendos is perhaps the toughest cut of the e.p, and delivers the energy where its needed whilst still holding onto that classic, deep-as-dawn chicagotodetroit vibe.

buenos aires cali based label drops release 4! feat brooklyns prime purveyor of cumbia, dancehall, bassline, hip hop & electro on the a, dutch bass heavy explorer sonido del principe on the b.